The real attraction of Xidi, however, lies in the exquisite
craftsmanship of the stone and woodcarvings that decorates the houses
and larger halls. There are black marble doorframes, delicate stone
sculptures of different plants and animals and many other works that are
uniquely characteristic of Xidi and its surrounding area. A local
quarry is to thank for the abundance of blue-black marble which was
delicately shaped by artisans from the nearby village of Hecun.
Most of the dwellings in Xidi (the most famous destination for China vacation deals)
are structured in a traditional 3-room or quadrangle courtyard shape,
and decorated with elaborate canopies and eaves, wooden courtyard panels
and wood, brick and stone carvings. Red Chinese couplets or duilian
adorn the entrance pillars to each house, and deep grooves in the floor
by the front door were used to help support barricades which stopped
unwellcome intruders entering. The homes are typically illuminated by
uncovered skylights int he center of the residence, and beneath the
skylights stone throughs are placed to collect rainwater.
An interesting architectural detail in Xidi involves the dividing
walls built between the houses, which are often built higher than the
roofs of the dwellings in dorder to prevent fire from spreading. In an
era when most houses were made predominately of wood and people used oil
lamps to light their way at night the risk of building catching fire
was high, and over time the villagers evolved many preventative
practices against thins. One of the more extreme is that none of the
houses in Xidi face south as this symboliss bad luch and fire, although
this supersitition may have a more practical basis to do with the
valley’s prevailing winds. You should know these things during your China best tours in Xidi
One architectral element of the dwellings that raises a few eyebrow
in mordern times in the number of small upstairs window looking down
onto the street outside. As mnay of the adult males in the village were
merchants trading in salt or porcelain they would marry and then leave
their wives at home to go to seek their fortune, of not returning for
years on end; tables in some houses are split into two piece to
symbolize the ‘half-half’ incomplete nature of the home. In the days of
neo-Confuciannism it was generally accepted that women were of a lower
status than their mal counterparts, and therefore wives usually didn’t
venture outside or even downstairs for fear of causing scandal for their
in-laws, so the small window were built for them to look out onto the
outside world.
Xidi is a best place to learn the ancient Huizhou culture and customs during your travel to China
tags: China tourism
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